/LMAR=0/XLINE=10/FONT#0=METL/FONT#1=METLI/FONT#2=METS/FONT#3=MUS[HHA,LCS]/FONT#4=FIX30/FONT#5=BASL35
␈↓ α≠␈↓␈↓ ε.59␈↓ 
k


␈↓"β␈↓ α≠␈↓␈↓ α{Very␈α
often␈αthere␈α
will␈α
be␈αno␈α
clearcut␈αprocedure␈α
that␈α
may␈αbe
␈↓ α≠␈↓followed␈α∞when␈α
analyzing␈α∞situations␈α∞similar␈α
to␈α∞the␈α∞next␈α
example.
␈↓ α≠␈↓At␈α≠(*),␈α≠the␈α≠change␈α≠of␈α≠mode␈α≠on␈α≠the␈α≠G␈α≠root␈α≠makes␈α~varying
␈↓ α≠␈↓interpretations of the function of the ␈↓&d␈↓)αβ tonic possible.
␈↓"β
␈↓"β␈↓ α≠␈↓Example 61
␈↓"β␈↓ α≠␈↓␈↓ βg␈↓¬⊂⊗⊃L[%0.00,%-1.32]:N61X.PLT[HHA,LCS]⊂⊗⊃␈↓






␈↓"β
␈↓"β␈↓ α≠␈↓Figure 61a
␈↓"β
␈↓"β␈↓ α≠␈↓␈↓ βh␈↓¬⊂⊗⊃L[%0.02,%-1.24]:N61A.PLT[HHA,LCS]⊂⊗⊃␈↓





␈↓"β
␈↓"β
␈↓"β␈↓ α≠␈↓Figure 61b
␈↓"β
␈↓"β␈↓ α≠␈↓␈↓ βj␈↓¬⊂⊗⊃L[%0.02,%-1.34]:N61B.PLT[HHA,LCS]⊂⊗⊃␈↓






␈↓"β
␈↓"β␈↓ α≠␈↓        * When a tonic changes mode for more than the duration of
␈↓"β␈↓ α≠␈↓        an occasional chord, the change may appear superimposed on
␈↓"β␈↓ α≠␈↓        the continuous line running from the original occurrence
␈↓"β␈↓ α≠␈↓        of the tonic.